Nowadays, true support of a brand new recording group or artist by recognized critics and the listening public is hard to come by. Not so for the Giant Judys, as this new act seems to garner acclaim from critics and fans for just about every show they play and for presenting their self-titled debut album throughout the Midwest. Mike Breen, music editor of CityBeat writes, “I can’t say enough about this young new group, who humbly push out graceful unstoppable melodies seemingly with the greatest of ease.” In only a year’s time this new band has found a way to blend the energy of rock with the sonic adventurism of the avant-garde, and then deliver their music with songwriting that has consistent appeal. This attack is widely winning over the ears of their peers and is quickly generating a thoroughly loyal fan base. An abundance of the charm that is the Giant Judys has been captured in their eponymous debut LP officially released in the spring of 2003. Recorded in the early winter of 2002 at Afghan Whigs’ legendary studio Ultrasuede, the product is a record that is beautiful and haunting. The album offers enough solid hooks to stay in your head for days and enough pure emotion to ensure repeated listening. It also displays a vast potential for such a young talented band . For certain pop euphoria check out the tracks "Hello" or "You're Probably Fine".