Ian Henderson
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Blog posts

  • Hola Buenos Aires

    I don’t speak Spanish, and I don’t know a single person in Argentina, but as of today I’ll be a ciudadano of Buenos Aires (see, I’ve already started massacring the language)! OK, it’s only a 2-month transplant, but it should be an awesome round-off to a spectacularus year of adventure.

    So here goes. I’m writing this eating breakfast with a plastic knife and fork in the airport lounge. I mean really, plastic knives and forks?? Tonight I’ll be getting started on the world’s best steaks, and tomorrow… who knows?

    Spanish lessons, a couple of flamenco guitar lessons, some gigs, a lot of sidewalk coffees, new routines, and plenty of time to write new songs for the record I’ll record in Sweden or Norway early next year. Some people get their kicks from the familiar. I need change, and loads of it. So goodbye Cape Town, for a little while...

    Buena suerte! Adios…

  • Radio Kalahari & the Touareg Blues

    I joined a Radio Kalahari Orkes show at Café Barcelona in Pretoria Saturday night. Fantastic band… cultural phenomenon. My music may as well have been Niger desert blues for all the cultural connection it had to the Orkes audience. Across town at the Bassline (where, incidentally, I launched my first record), my friends Damon and Wendy were watching Etran Finatawa. Amazing, spell-binding desert blues from Niger.

    As I watched Ian Roberts shouting the odds at his devoted audience, I couldn’t help but think that I felt at the same time intimately connected to what was going on… and a million miles away! That’s South Africa for you. And me. Bizarre, bewildering and immensely heart warming and the same time.

    The tour’s been awesome. So many friends made, some great performances, unusual performances. The first day or two always exhilarating, always a few low points, the inevitable sore throat, but I just love the constant movement, the surprises, the groove. Speaking of groove I’m really digging live studio performances. Had a great acoustic half hour on UJFM on Saturday, and a fantastic time in studio at Highveld with Zane Derbyshire on Sunday evening. That man is doing loads for SA music, and it was a jol to sing live on air for the Highveld listeners. Big up Zane!

    Peace!

  • Teaching Damon Beard to play guitar (or not)

    I'm sitting at Scusi in Parkview eating chocolate mousse, drinking coffee and catching up on my mail. My oh my. The chocolate mousse!!! Scusi's one of the best places to work on a computer in Joburg. I've just left behind the Durban leg of my tour, and had a wonderful time with Judd & Jeannie at The Corner Cafe, with Jamie at The Red Door and Gail & Mark in Shongweni. Big shout out! And also to Shannon Hope, Dave McMilan & Erin Fourie for joining me in PMB. Awesome show!

    But one of the highlights was teaching East Coast Radio DJ, Damon Beard, to play guitar. Well, in actual fact we got through the sum total of two chords, but it was on air! Cool guy, fun being a co-presenter for an hour. East Coast are always a laugh and this was no exception. Damon - you missed a brilliant show at the Corner Cafe that night! Next time, buddy...

  • Au revoir Chad

    I’m in a UN plane on my way back from the peace mission on the eastern border of Chad (next to Darfur). Long story. I slept in a converted container in the military base and felt like I was back in boarding school. It’s amazingly empty at night - no entertainment save for a few beers at the Togolese bar - a big sky with a full moon and, surpisingly, not many stars.

    Amidst the silence any voice is really loud. I’ve been listening to Hank Dogs. ‘Civilisation’ is so full, my ears are full, my eyes can’t sit still, my head is full. I’m wondering how much we miss while we’re trying to take it all in.

    Down there (from up here) the river beds are like the veins on the skin of my arm. So many! It’s a dry country, but when it rains like at the beginning of the week when we arrived there’s water everywhere. Men fight over what’s important to them, even if we can’t see what it’s all for.

  • People just want to give him things!

    I popped by my friend Matt's place the other day to check out his new Bose PA system for possible use at intimate acoustic shows. Over tea and this amazing chocolate brownie I discovered that the brownie had been a present from proprietor of the bakery down the road. Now, in addition to numerous other talents, Matt has this tremendous gift. People just want to give him things! Of course it helps that he's a really friendly, super garrulous guy, but it really stupefies me how much people want to help him. It's just something about him - people can't help themselves.

    And it got me thinking... I'm sick and tired of that marketing crap from Nike/Nokia/Apple (whoever) that these shoes or that cellphone will define your individuality. It's exactly the opposite. I love my Maingard guitar, which was handcrafted with love and enormous skill in a wooden shed near Cape Town. It makes me happy every time I play it. But it doesn't make the music. What makes the music is knowing who you are, and having something to say. And not trying to imitate someone else.

    Someone who's slowly finding out who she is, is Julia Jakobsen. It's been a lot of fun helping co-produce her debut solo record. I've been too busy to be there all the time, so I've popped in most days for a couple of hours, thrown in my 2c and disappeared again. Making records is an amazing thing - the songs are like skeletons that get dipped in chocolate and get layers of muscle and flesh until they've turned into little animals. And you never know what they're going to look like. These ones are friendly, furry little things.

  • Gig | Record | Show

    So I'm just back from a cool little micro-tour weekend in Durban... played with Emmanuel Castis at Krakatoa - my first ever gig with cages (as in dancing girlie cages) at the side of the stage. It's a pretty impressive place but very weird at the same time.... the only venue I know that tries to be a sports bar, music venue, strip joint and nightclub at the same time!

    Then it was on to the Essey's barn for one of the most remarkable intimate gigs I've played in a long time. Gorgeous wooden-floored barn, and it was so quiet during the show you could hear a pin drop. Awesome. I'll definitely be back - and speaking of which, we're trying to hook up a return for the third week in September. The Corner Cafe is hopefully also going to be on the agenda...

    I've come straight back into the studio, where I'm helping co-produce Julia Jakobsen's debut solo EP with Matt Allison at his wonderful Dockyard Studios. It's sounding awesome, and is hopefully going to be all over Denmark in about two months... sadly for us Jules leaves in a couple weeks to Copenhagen. No tears this end - we'll hopefully be doing a little tour there together perhaps early in the new year.

    The finale of THE SONG'S THE THING is on its way... less than three weeks and it's going to be awesome! Tickets at http://www.webtickets.co.za/event.aspx?itemid=773083 See you there > Ian

  • Why I LOVE Jane Linley-Thomas

    OK, to be honest I used to think that East Coast Radio were full of it. That was back when I lived in Durban, and they refused to play my first record, Freefall. Now they play loads of South African music, and more importantly my record. They also love doing in-studio’s with SA singers… and most importantly they have Jane Linley-Thomas! Jane is a special breed… I can think of no other DJ in the country who would see me walk into the station at 7pm (still prime time) on Thursday evening with my guitar and start jumping up and down in her chair with excitement at the prospect of making an idiot of both me and herself live on air.

    I was under the misguided impression that I’d play an acoustic version of my new, about-to-be-released single, but she had other ideas. Something more like “how about you do an off-the-cuff-jam of We Will Rock You and I’ll clap and sing-along in the background? Oh, and I’ll also throw in some rooster crowing samples for good measure!” So we acted like children, made an arse of ourselves and… well… did some very strange PR. And I had a blast! What a crap life! See you in 6 months, Jane!

  • One degree to Jack White

    Of course you’ve heard that ‘Six Degrees of Separation’ cliché… I guess we’re all enamoured by the idea that what seems so far away might really not be far at all. Well, on Saturday evening I got to have dinner with two of the biggest recording and mix engineers in the world at the moment – Grammy-winner Vance Powell and Fabrice Dupont. Behind the scenes he may be, but Eastern Acoustics’ Aki Khan is doing a tremendous amount to lift up music in South Africa at the moment, and together with Matt Alison he had brought the two wizards to Cape Town to run a recording seminar for local engineers.

    Aki graciously invited me to his house to eat his world-class potjie pot and hang with world-class Vance and Fabrice, and Fab’s assistants Meredith and Tom. The highlight of both the night and the sound sessions, which I sat in on the next few days, was an endless stream of Jack-isms from Vance – he’s pretty much the Mr White Personal Sound Magician at the moment. But what made an impression on me more than anything was how small the world is now, and how hard we’ve got to work out here in the far-flung tip to keep relevant and up to speed.

    More than ever before we’ve got a chance to spread our wings and send what we do out to a bigger audience. But are we good enough?

  • Out of the comfort into the spice

    For the past few weeks I’ve been hosting a collaborative show with some of Cape Town’s best singer-songwriters called “The Song’s The Thing” at Long Street’s funkiest intimate venue The Waiting Room. The idea is much more than a joint gig… each week the artists have been putting in some serious rehearsing hours on each other’s songs… and it’s been some of the best fun I’ve had with music recently.

    It’s been an open secret that Cape Town boasts some of the most interesting, offbeat songwriters in the country, and this series has boosted that reputation. Every artist has brought something really cool and interesting, and two artists have stood out for me because their styles are most different to my own. Mapumba is a Congolese adult contemporary world musician living and working in South Africa. He sounds a bit like a male Tracy Chapman, with a jazzy edge and there’s a lot of bossa-nova and Cuban groove in his tunes. I thought I was a bit left of centre, but getting into Mapumba’s grooves was a real challenge. Anthony Oseyemi – a.k.a. Kayode Phoenix – is an R&B/soul singer with hints of Prince and Michael Jackson, some quirky songs and a great falsetto… playing with these two guys has really pushed me musically, but it’s also been an amazing experience!

    The way I’ve seen it, being the best I can be at what I do is about depth – becoming more specialised and focused on what is unique in my sound. But broadening my horizons like this has brought a tremendous injection of energy. It probably sounds clichéd, but it’s been a real privilege to be exposed to really different ways of doing things. And it’s got me thinking – when we leave our comfort zone of acoustic pop-art and stand on stage crooning rhythm and blues love songs – and do it with some heart – we’re pushing ourselves to be something different. This whole series has been about challenging my musical boundaries… at the same time I’m probably a little more conscious about my own special niche… but perhaps with a little added spice!

  • Big Up South Africa!

    What a cool week it's been for South Africa! The Confederation Cup is basically a dry run for the World Cup next year... but the coolest and most surprising aspect has been the performance of Bafana Bafana.

    I guess we South Africans have a habit of being self-critical and hard on ourselves, but for a sports-mad country we sure make a mess of the organisation and administration of sport, and to be honest our national soccer team have sunk from heroes to an embarrassment. Well, the old is no more, apparently. We snuck into the semi-finals and then went about damn near beating both Brazil and Spain - probably the two best teams in the world at the moment - in one week. So underdogs can make it happen. There's hope for independent musicians everywhere...

    I'm off to buy a vuvuzela!

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