Iron & Wine

Fans: 289,677

- Bio

The last that we heard form Iron and Wine was the six songs comprising Woman King released in 2005. (This doesn't include the collaborative In the Reins EP which featured songs by Iron and Wine's Sam Beam and performances by both Iron and Wine and Calexico together.) What distinguished Woman King from its predecessors was the deepening integration of spiraling, dense opuses ("Gray Stables,” "Evening on the Ground (Lilith's Song)") with intimate confessionals ("Jezebel,” "My Lady's House"). On The Shepherd's Dog this integration is complete. Compositionally, it is Iron and Wine's most ambitious and accomplished recording to date. It’s also the most satisfying. While many of us learned of Iron and Wine by way of Sam Beam's tender and spare rendering of The Postal Service's "Such Great Heights" on the Garden State soundtrack, those who dug deeper discovered a classic American tunesmith with a precocious musical signature. Songs like "Lion's Mane,” "Jesus the Mexican Boy" and "Naked as We Came" are remarkable demonstrations of craft; musically memorable, lyrically evocative and casually atmospheric. In conversations with Sam while mixing The Shepherd's Dog, he confessed to finding spiritual inspiration in Tom Waits' pièce de résistance, Swordfishtrombones, an album where said artist upended his previous strategies and forged a new musical language for himself. While sounding nothing like Waits’ 1983 release, The Shepherd's Dog succeeds in accomplishing a similar cathartic recasting of the artist's intentions. The arrangements are kaleidoscopic and rich. "White Tooth Man" rocks with a desperate, menacing intensity while "Boy with a Coin,” the album's first single, is darkly playful with a handclap hook tumbling under its cascading melody. The whole album breathes. Its seductive rhythms percolate and undulate, from the Psych-Bhangra-redux of "Pagan Angel and a Borrowed Car" to the album's last dance—a waltz—"Flightless Bird, American Mouth.” And there's nary a trapkit on the whole album! "Resurrection Fern,” a staple of Iron and Wine's live performances, is given a somber, elegant treatment here while my two personal favorites, "Wolves (Song of the Shepherd's Dog)" and "Carousel,” summon, in their respective ways, a vivid otherworldliness. Taken as a whole, The Shepherd's Dog is informed by a sensuality that brings a dreamscape to life.

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Nov 19, 01:44 PM

Tennessee loves you!
Nov 13, 07:58 PM

Saw you at Winnipeg Folk Festival '09 and it was awesome - had really looked forward to it. Please come play a show here again soon! I love your music.
Oct 22, 12:07 PM

I love UPS!
Oct 20, 04:37 PM

PLEASE!! My husband and I are such fans. We have all your music and would LOVE to see all of you live. Thanks!!
Oct 05, 02:32 PM

Please, Iron & Wine. come to Hartford, CT. We're all in need of some wonderful music. Any appearance would be greatly appreciated.
Sep 27, 07:48 PM

Tempe Arizona wants you here!
Sep 22, 12:43 PM

come to toronto please :)
Sep 13, 04:32 PM

Saw you at Messiah College last night and would love if you could come to Jersey. There is much love for you here!