---------- English --------- Since the year 1995 both components of Lêndi Vexer, have navigate solitary in the cold waters of Trip hop trying to make the tide marry them so that they become one chemically compatible person. That first work together was in the year 2000. In that 5 year-old prologue, both were developing for different roads and ways their own vision of the trip hop that soon would compose together. In those times end of century, DG was working on a project (Abduction Kirlian (r) with a musician friend who was the initial bond by means of a DJ friend between this last one and Natalie. The first test with the recommended singer was surprising, she had a potential that supplemented exactly the project, a project that was then small when discovering its other gifts as multi-instrumentalist, since she arrived in a very humble way it has become a habit. DG had to continue deepening his orchestrations, when seeing that these inspired the voice of Natalie tremendously, while he only continued in that career, there was created a stronger and stronger connection, until they ended up knowing the expressions of the other one and has their own code. While Natalie and DG worried about their friend's absence, he was in a spiritual and pseudo-personal trance" that didn't allow him to return to the project not to see his friends. Already as a duo, from the year 2000, they went by the name of A.D.N AnyDayNow"(r) before arriving at the definitive name of Lêndi Vexer defined this way: Two impelled artists to spill out deep songs about having decided feelings and aspects of life, with intense lyrics, sometimes introspective, full of queries or retrospective with strong critics to human arrogance, the cruelty of the Christianity, the modern man's frivolity, etc... Always based on the reflexive aspect of the Down tempo and Trip hop with a hypnotic and orchestral tint, minimal and rough at moments, clearly distanced by the soft skin of the chill-out. The dirt and natural roughness of their sound is invoked with their old school equipment of triphop that they have gone on harvesting minutely from their beginnings. This environment acoustic-vintage is seconded by the electronics and reinforced with the different abilities in both components, as the orchestrations and programmings of DG and the singular voice of Natalie and their ability with the Theremin. ----------- Español ----------- El año 2000 fue testigo de los primeros trabajos compartidos por estos dos músicos del Trip Hop. En el 2002 adoptaron el nombre definitivo de Lêndi Vexer , (en francés) algo así como lunes perturbador o fastidioso. Ya que en esos dos años anteriores estuvieron presentándose bajo otro nombre hasta “ese lunes” en que recibieron la notificación de que el nombre estaba en uso en el exterior y al estar ya su música sonando en Australia se vieron forzados a ese cambio, ironizando el momento llegó “Lêndi Vexer“ con una cuota de sátira y otra de realismo. 2004.Año en que auto-editan su EP promocional “Suicidal Adage “ y es elegido como uno de los tres mejores EPs Trip-Hop 2004 por Tripofagia ( portal especializado en Trip Hop & Downbeat), además de ser elegidos para formar parte del sound track del Show televisivo estadounidense “ The Scene “ (Episodio 10) de la compañía JunGroupEntertaiment .Continuando con los shows en vivo del 2004 para luego comenzar a componer nuevas canciones, proyectar el sello discográfico Stereotape Records y su primer placa editada por éste sello, grabada y producida durante todo el 2006 para ser lanzada en marzo de 2007. Dos artistas impulsados por derramar canciones profundas sobre determinados sentimientos y aspectos de la vida, con letras intensas, a veces introspectivas, llenas de interrogantes; ó, retrospectivas con críticas a la arrogancia o chauvinismo humano, la crueldad del cristianismo, la frivolidad del hombre moderno, y demás letras escritas con la pluma del Punk. Siempre basados en el Down tempo y el Trip hop con un tinte hipnótico y orquestal, por momentos minimalista y áspero, claramente distanciado de la suave piel del chill-out. La suciedad y aspereza natural de su sonido es invocada con su equipamiento de la vieja escuela del triphop, que desde sus comienzos han ido cosechando minuciosamente. El entorno acústico es secundado por la electrónica vintage y potenciado con distintas habilidades en ambos componentes, como las orquestaciones y programaciones de Diego Guiñazu y la singular voz de Natalie Naveira y su habilidad con el legendario Theremin.