Somewhere between high anxiety and high fidelity…character study and character assassination…self-loathing and self-gratification…exist National Drag. With the release of their 2000 and 2001 EPs, National Drag earned a reputation as one of Chicago’s premier power-pop outfits. Praised by critics for their unique blend of genres, sweet-styled harmonies, and catchy three-minute pop gems, the band found a welcome home with fans of Elvis Costello, Weezer, Blur, and Fountains of Wayne. On their long awaited debut record, National Drag, songwriters Jimmy Drag and F. Scott National have removed the influences from their sleeves, and crafted a sound all their own. The band leaves few stones unturned, tackling such subject matter as love, social indifference, fear of commitment, regret, anxiety, perseverance, and marital aides. Drag and National have found their voice…often witty, sometimes scathing, but always true to their hearts. Stylistically, the band has broadened considerably, commingling their traditional power-pop sound (“I Think I Love You, Michelle,” “Forever Girl,” “I’m Not Where It’s At”) with heavier arrangements (“In Shadows,” “Poor Toxic Heart”) and lush three-part harmonies (“It’s Only Natural,” “Hear Me Out,” “Every Day is Saturday”). What makes it all work is Drag and National’s ability to deconstruct the human condition and touch a chord with listeners. Their message is universal and their sound engaging. National Drag will leave its mark on the first listen.