Watch out Shirley Bassey. Meredith DiMenna of Saint Bernadette wields an old-school femme fatale voice that would be perfect for the next 20 years of James Bond themes. . . . With In the Ballroom, they find fresh grooves in retro textures, layering eerie tones of guitar, woozy brass and bass under soft-lit 1940s jazz melodies. -- HARP MAGAZINE Saint Bernadette's debut is a shimmering set of torchy, if not necessarily romantic jazz blues that reveals additional layers the more it's played. . . . Turn the lights down low, burn some incense, and lose yourself in Saint Bernadette's intense yet lithe charms. -- ALL MUSIC GUIDE The debut album from Connecticut’s Saint Bernadette hits the sort of notes and touches that make me weak in the knees, by expertly melding things I’m a sucker for: ballsy broads, smoke-filled jazz clubs, and, of course, the element of surprise. -- SENTIMENTALIST MAGAZINE If you're a fan of femme fatales and below-the-belt rock (and really, who isn't?), Saint Bernadette is definitely worth your attention. -- MY OLD KENTUCKY BLOG And with some more apparitions, weirder songwriting, and maybe a wholesale embrace of cacophony and insanity, Meredith DiMenna may become a menace, a Karen O. for Fairfield County. -- POPMATTERS . . . a sultry, entrancing release heavy on old-school soul . . . -- METROMIX Grace Slick-meets-Edie Brickell vocals at their most haunting. -- NEW YORK TIMES