Six solo albums, two collaborative albums, production of three nationally-acclaimed kids records, several film and stage roles and the production of a wildly successful concert series for Ugandan refugees - Stephanie Schneiderman has firmly established herself as one of the most diversely talented and active artists in the Pacific Northwest. Her sixth solo release and latest effort, Dangerous Fruit, retains her rootsy flair, distinctive vocals and intricate songwriting, while launching her sound in completely new, uncharted terrains.
The catalyst for this adventurous new direction is her alliance with Keith Schreiner, a highly regarded Northwest electronic musician, producer and DJ. Known for his work with Dahlia, Auditory Sculpture and Suckapunch, his resume speaks for itself - Grammy-winning artists Jeff Trott and Sheryl Crow, and producer Mike Elizondo (Dr. Dre and Eminem). Schneiderman's partnership with Schreiner reveals songs artfully based in pop, trip hop, soul, electronica and folk, evoking the styles of Goldfrapp, Feist, Suzanne Vega and Beth Orton.
Stephanie gained widespread acclaim and exposure with her collaborative project, Dirty Martini, the all female trio managed by Gang of Four's Dave Allen. It quickly became Portland favorite buzz band. Stephanie's deft songwriting, captivating vocals and eclectic repertoire generated recognition in the Northwest scene early in her path. Since her solo career began with a coveted part in the 1999 Lilith Fair, she has earned extensive NW radio play, a devout following and multiple appearances with top national touring acts including Aimee Mann, Five For Fighting, Chris Isaak, Hall & Oates and Ben Taylor. Prior to Dangerous Fruit, she released five solo recordings - Stephanie Schneiderman (1999), Unbelievably Unbroken (2001), Fall Sessions EP (2001), Touch Down (2004) and Live at Kung Fu Bakery (2005).
With a fresh approach to everything she does, Stephanie continues to compose some of the finest stuff around. And if her recent projects are any evidence, the best is yet to come.